A matter of Trust

A Matter of Trust

Charles Isherwood pans Oroonoko in his theatrical but offers it up to others less cultured in the art. Isherwood stating that, “Oroonoko was a disappointment on stage” continues with “theatergoers looking for a romantic story told in crisp, simple strokes might want to check out Oroonoko.” Isherwood asserts himself as a very knowledgeable theatre critic with discussion of other plays, The Piano Teacher and Coram Boy, followed by the director’s reputation.

Okoonoko seems a simple play to follow, staged in Africa it tells of two lovers separated and sold into slavery. After being realized as royalty Oroonoko, the lead character played by Albert Jones, has the chance to rescue his love Imoinda, played by Toi Perkins. Isherwood describes the play as, “staged with considerable liveliness and fluidity.” The set, costumes and lighting all frames the play handsomely, states Isherwood.

The play’s lack of psychological intricacy, narrative sophistication, and depth of feeling is its downfall. Questions arise to weather Isherwood’s opinion matches most. In revealing his depth of knowledge in theatrical arts, Iserwood might not be the opinion to spring a decision off of. As Isherwood says, after giving the lines to Imoinda’s love confession, “delight or exasperate, depending on your taste. The same could be said for the whole of Oroonoko.”